Sarah Kay

The day

One timeline. Two and a half hours. Pick a morning and walk through it.

Every elopement I run has the same steady shape — meet, dress, first look, vows, a toast, the after-light. What fills that shape is entirely yours. Flip between two real weddings that ran on the exact same clock, or stretch into a fuller day.

Two of them. A morning kept small on purpose.

From $3,000

Two and a half hours · two people

  1. 9:00

    Beat 01

    We meet near Lipan Point — placeholder photographPlaceholder

    We meet near Lipan Point

    Tea, last touches, anything they forgot in the rush up the rim road.

  2. 9:20

    Beat 02

    You get dressed in the tent — placeholder photographPlaceholder

    You get dressed in the tent

    A driftwood bouquet handed over. The ring on a chain comes out here.

  3. 9:45

    Beat 03

    The first look — placeholder photographPlaceholder

    The first look

    She turned around. We held it far longer than either of them expected.

  4. 10:05

    Beat 04

    A short walk to the spot — placeholder photographPlaceholder

    A short walk to the spot

    Out onto the peninsula, where the wind was kind that day.

  5. 10:25

    Beat 05

    The ceremony — placeholder photographPlaceholder

    The ceremony

    Three virtues, three blessings, three promises. Cards passed between them.

  6. 10:55

    Beat 06

    Champagne, a toast, something sweet — placeholder photographPlaceholder

    Champagne, a toast, something sweet

    A small cake. A spray of champagne — water in the bottle, for the photo.

  7. 11:15

    Beat 07

    After-light photographs — placeholder photographPlaceholder

    After-light photographs

    The canyon changes colour completely once the sun drops behind it.

  8. 11:30

    Beat 08

    Sign the certificate · Just Married — placeholder photographPlaceholder

    Sign the certificate · Just Married

    Strangers in the lot lined up to witness. Two of them came to dinner.

A note on pacing.

None of this should feel quick. There are several places in the day where I deliberately slow it down — a walk, a held breath, a card passed across — so the emotion has time to arrive. The camera is along for that, not setting it.

Want a day shaped like this?

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